Nialler9

LCD Soundsystem - Sound Of Silver (Listen Closely live with Kelly-Anne Byrne and Eoghan O'Sullivan)

This live episode was recorded over two nights in June in The Big Romance on Parnell Street in front of an attentive live audience (and some people overheard on the recording from the main bar)
I'm sure why it took me 18 editions of the Listen Closely live listening parties for me to think about recording them and putting them out on the Patreon feed but I finally had the idea last month.
And sure, when we had two sold out parties of people coming to hear some chat and a full-volume listen in The Big Romance of LCD Soundsystem's second album Sound Of Silver (2007), then it was a great opportunity to stitch together chats I had with two guests DJ Kelly-Anne Byrne and Eoghan O'Sullivan (The Point Of Everything), all about James Murphy, Losing your Edge, loving and hating new York, gout and more
The second album from record nerd James Murphy and company, cemented LCD's status as a defining band of an alternative generation, elevating and building on the wry wink-wink-reference debut album with a second record that felt less like Murphy play pretending his heroes but joining them with a record filled with vastly superior alternative dance and rock music that takes its influences and turns them into something greater, and more singularly LCD Soundystem with songs of the age - 'Someone Great', 'Get Innocuous', 'All My Friends', 'Us vs Them' and more.
We discuss the record first with Eoghan and then play the record (not broadcast of course) before coming back after with Kelly-Anne Byrne to post-mortem what we've heard.
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The best music of June with Eoin Murray

The Best of the Month episode is now Patreon-only. Public subscribers get the first 25 minutes or so of the episode as a free preview. Members get to hear the whole episode on Patreon as part of a €5 a month subscription so come join us!
 
Andrea is taking the summer off the podcast and listening parties, so this month's special guest is Eoin Murray, the music writer behind the Irish Substack monthly newsletter Anois Os Ard which digs up Irish music of the underground and experimental variety.
Eoin brings a variety of mostly-Irish releases to discuss with music from Throwing Shapes, Amanda Feery, the Efa O'Neill curated Place: Ireland compilation, Days Of Heaven the new album from Belfast band Junk Drawer and the new album from London band Caroline.
I pick my favourite albums from the month of June and discuss including Turnstile's Never Enough, Little Simz' Lotus, Loyle Carner's hopefully ! along with underground cloud rap from deathtoricky and the psych-folk style of Poor Creature.
We chat about recent gigs attended, Glasto, books we're reading and films and TV shows we are watching.
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Albums and tracks mentioned
Throwing Shapes - Chosen Talk
Loyle Carner - hopefully ! (album) - in my mind / about time
Junk Drawer - Days Of Heaven (album) - Nids Niteca
Little Simz - Lotus (album) - Flood / Enough
deathtoricky - motives
deathtoricky - praying for u
Ó-Pax - Bell Dent
Turnstile - NEVER ENOUGH (album) - Never Enough / Sole
caroline; Caroline Polachek - Tell me I never knew that
Poor Creature - All Smiles Tonight
Cocteau Twins - Watchlar

A deep dive into Yacht Rock

We’re not here for a long time, but we are here for a smooooooooooth time.
Grab your linen shirt and deck shoes as we will be taking to the gentle seas for some smooth sailing, daiquiri in hand, and with love on our mind, we are heading to the private island of Yacht Rock.
You can be a passenger on this ship.
Yacht Rock is the subgenre of music largely made by West Coast American artists The Doobie Brothers, Michael McDonald, Kenny Loggins, Christopher Cross and their ilk with some of the best session players of the mid-70s to early-80s era.
Just why did music this smooth and melodic become so dominant? Why did they all love electric pianos so much? Did these progenitors all go sailing as their pastime?
Drippy keyboards, bright summery melodies, melancholic lyrics, impassioned sentiment, it’s the concerns of a heartbroken gentleman, it’s time to take a splash in the cool waters of Yacht Rock.

The best music of May with Bekah Molony

The Best of the Month episode is now Patreon-only. Public subscribers get the first 20 minutes or so of the episode as a free preview. Members get to hear the whole episode on Patreon as part of a €5 a month subscription so come join us!
It's the return of our monthly Patreon episode, but this time with a special guest.
Andrea is taking the summer off the podcast and listening parties, so I asked Mo Cultivation's Bekah Molony to join me in enthusing about our favourite music of the past month.
Bekah joins us to talk about Tyler, The Creator's recent Dublin gig, Forbidden Fruit, Lovely Days at Guinness Storehouse and more.
Then we discuss our favourite music from PinkPantheress, Khamari, Baxter Dury, Evan Miles, Mhaol, Billy Woods, Sammy Virji and Skepta, For Those I Love, Katie Phelan, Loyle Carner and Erika De Casier.
Plus some song of the summer contenders and chats about Sinners the film and TV shows we're catching.
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Albums and tracks mentioned
For Those I Love - Of The Sorrows
Sammy Virji; Skepta - Cops & Robbers
billy woods - Golliwog (album)
Khamari - Head in a Jar
Baxter Dury, JGrrey - Allbarone
katie phelan - nothing stays the same
Erika de Casier - Lifetime (album)
Evan Miles - It's On Me
Mhaol - Something Soft (album)
PinkPantheress - Stateside
PinkPantheress - Illegal
Sofia Kourtesis; Daphni - Unidos
Selena Gomez; benny blanco - Bluest Flame
Loyle Carner - all i need

Palestine, Kneecap and why artists are boycotting music festivals

Today's episode is a discussion with writer and journalist Una Mullally about artist boycotts, solidarity, Palestine, Israel, protest, cancellation, capitalism and the music industry.
We talk about how Israel's genocide of the Palestinian people has become a flashpoint of awareness about how modern music festivals work, specifically how private equity which invests in Israel operates in the live music industry.
We chat about why Kneecap's recent actions have drawn so much ire and anger in the US and  the UK, leading to the expedited terror charge of Mo Chara on June 18th, and calls (often successful) for cancellation of their shows.
Festivals owned by global events company Superstruct who own 80 festivals and brands like Sonar, Sziget, Boiler Room, Oya, Field Day and Mighty Hoopla have had artists cancel in boycott of Superstruct's owner KKR, the second largest private equity firm in the world, who  have documented ties to both weapons manufacturers and Israeli companies developing data centres and advertising real estate on illegally occupied land.
It feels like an unprecedented time for the visibility of protest and boycott by artists in recent years. A generational shift is happening -  Artists and DJs are showing moral opposition in this complicity in the face of political inaction. Lines are being drawn.
 

Revisiting: Kendrick Lamar - good kid, m.A.A.d city

K.Dot's first masterpiece album is a coming-of-age story with Kendrick navigating life in Compton, resisting peer pressure, destructive behaviour and trying to stay righteous in a corrupted world.
Ahead of our listening party at the Big Romance, Andrea takes us on the Hero's Journey of Kendrick Lamar's breakthrough 2012 second album good kid, m.A.A.d city.
Subtitled A Short Film, this cinematic rap masterpiece was a huge mainstream success, and crowned Kendrick as the voice of modern hip-hop (Dr. Dre literally appears to do so on the coronation track 'Compton') and it's narrative storytelling tells the story of a 17-year-old Lamar on a quest for a girl before being sidetracked by homie peer pressure and the more dangerous elements of his surrounding landscape.
It features the songs 'Bitch Dont' Kill My Vibe', 'Money Trees', 'Backseat Freestyle', and the accidental frat anthem 'Swimming Pools (Drank)'.
We revisit this modern rap masterpiece, Kendrick's first of many.

Going to the Island with Open Ear Festival

The avant-electronic and experimental Irish music festival Open Ear returns to Sherkin Island on the June Bank Holiday weekend.
Open Ear is known for its preoccupation with illuminating music operating on the fringes, and the remote island setting of Sherkin Island off the coast of Baltimore in West Cork reflects this outsider ethos.
The varied programme is drawn from electronic, techno, experimental folk and trad, jazz EBM, bass music and art rock, and this year features the likes of Irish techno legend Sunil Sharpe, Scottish piper Brìghde Chaimbeul, Cork sean nos rockers I Dreamed I Dream, Belfast Sound Advice record shop owner Marion Hawkes, Limerick rap and production duo Citrus Fresh and 40Hurtz, Catalan/Italian EBM duo Dame Area, Autechre collaborator Rob Hall, and lots more. The programme features one artist at a time across various stages on Sherkin including the infamous Banger Cliff.
I spoke to Open Ear head of programming Dion Doherty aka Belacqua about the challenges and uniqueness of putting on an experimentally-minded festival on an island and as it approaches its 10th year, how its planning to grow its European partnerships and unearths Irish music of the underground.
 
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Our best of April's albums and songs

Our monthly Patreon episode in which Andrea Cleary and Niall share our favourite music of the past month.
 
The Best of the Month episode is now Patreon-only. Public subscribers get the first 20 minutes or so of the episode as a free preview. Members get to hear the whole episode on Patreon for a €5 a month so come join us!
This month, we are discussing new albums from Torres and Julien Baker, Daughter Of Swords, Bon Iver, Maria Somerville and songs from The Hives, Turnstile, mischa and the bear, Frankie Cosmos, Morgana, Myles Manley and a Crossed Wires NTS show recommendation.
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Albums and tracks mentioned
Marika Hackman; Laura Marling - Skin
Daughter of Swords - Alex LP
The Hives - Enough Is Enough
mischa and the bear - Deny
Maria Somerville - Luster LP
Turnstile - NEVER ENOUGH
Julien Baker; TORRES - Say A Prayer For Me LP
Bon Iver - SAble, Fable LP
Bon Iver - I'll Be There
Morgana - Power Cuts
Myles Manley - Indieboys of Dublin
Myles Manley - Di Fontaines
Frankie Cosmos - Vanity
Dame Area - La Danza Del Ferro
 
 

Róisín El Cherif is singing for Palestine and Ireland

The Irish-Palestinian singer and filmmaker speaks about embracing her Arabic heritage in her music, and the resurgence of interest in keening and Irish folklore.
The Irish-Palestinian artist Róisín El Cherif has spent 18 months advocating for the people of Palestine, speaking out on the injustice and genocide in Gaza. El Cherif has begun singing in Arabic on stage, noting the connections between Irish and Arabic folk music and culture.
It's best encapsulated in the Róisín El Cherif live show, which debuted at the Fringe Festival and was given a Fringe award for Astounding Performance of Political and Cultural Significance.
The next live show takes place at the Button Factory in Dublin next week, Wednesday April 30th, which will be a blend of live music, poetry and film visuals featuring clips from Arabic films, Palestinian folk music and drawing parallels with Irish mythology and folklore - the cailleach, banshees and keening which is also found in Arabic culture as wailing, and further represents and celebrates the oppressed people of Palestine.
El Cherif recently accepted the Choice Music Prize award on behalf of Fontaines D.C. by reciting part of a poem from Palestinian poet Samih al-Qasim written in 1971 called Enemy of the Sun which speaks of Palestinian resistance against Israel.
We also talk about the reaction to Kneecap's recent Pro-Palestine statements at Coachella.

Why J Dilla was such an influential producer

It’s DILLA TIME
This month's special is about Jay Dee aka J Dilla, a Detroit hip-hop producer’s whose work is so prolific and influential his MPC sampler is in the Smithsonian.
Dilla worked with hip-hop and R&B greats - Q-Tip, A Tribe Called Quest, Busta Rhymes, The Roots, The Pharcyde, D'Angelo, Common, Madlib and made his own signature rhythm that others copied - he used a sampler like no one had before.
Through his unique methods of playing with layered timing, rhythmic expectation, polyrhythm, samples stretching and feel and his ability to bend time-signatures to his will, Dilla changed how music moves, and made Dilla Time (a term coined in the 2022 book of the same name by Dan Charnas).
We explore his production work, solo music and the legacy of his final album from 2006, released three days before he died - Donuts - a sample psychedelic beat tape of melancholic beauty and a magic trick of sampling that serves as a towering and influential creative statement.
The accompanying Dilla playlist.
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